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Kino Lorber releases the film in select theaters on Friday, September 17.Īfter leveraging his success in J-horror into a string of grounded social dramas that culminated with the 2008 masterpiece “Tokyo Sonata,” Japanese auteur Kurosawa Kiyoshi seemed to hit the ceiling of his talent or grow bored of himself. Given that there’s still plenty of real-life drama to comment on, don’t be surprised if the movie pokes fun at current affairs.Editor’s note: This review was originally published at the 2020 Venice F ilm Festival. The original comics are rife with political satire, often taking aim at America’s involvement in wars. The movie, as silly as it will undoubtedly be, might also be very smart and biting. Spy will be one entertaining, wacky ride. If the film lives up to its potential, Spy vs. Right now, the long-gestating movie appears to be moving forward with a new director - and a good one at that. Roach had also established himself as the king of funny spy movies, as evidenced by the Austin Powers flicks.Īll of that is in the past, however. In 1999, Gunn was still in his edgy B-movie phase, and an adaptation of a comic such as this one would have appealed to his zany and wild sensibilities. It’s a shame that Gunn and Roach’s movie never made it to the screen. Spy script often, but he did previously state that it resulted in him turning down the opportunity to write a Silver Surfer movie. was impressed with his work on the unrealized project, so the studio let him write the live-action Scooby-Doo movie, and the rest is history.
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While Gunn’s “outrageous” script never got made, it did lead to his leaving Tromaville for the bright lights of mainstream Hollywood. There were rumors of Jim Carrey and Damon Wayans playing Black Spy and White Spy respectively, even though Gunn wrote the script with Nicolas Cage and Eddie Murphy in mind. According to James Gunn, he wrote a script for Jay Roach to direct back then. That said, while this iteration of the film has been in development for almost a decade, interest in making an adaptation can be traced all the way back to 1999. Thurber is a great choice to helm this one, as he has a solid track record when it comes to delivering enjoyable and successful action-comedies. The good news is that he’s already started shooting the action blockbuster, so perhaps he’ll move straight on to Spy vs. Spy, he needs to complete Red Notice for Netflix. Before the director can move on to Spy vs. Hopefully, a similar fate won’t befall Thurber. At the end of the day, he was just too swamped for Spy vs.
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Howard was focused on bringing The Dark Tower to the screen as a film franchise and television series, and he also was working on his racing biopic, Rush. The project seemed years away from taking shape, however. At the time, the plan was for Howard to take the reins, with Premium Rush’s John Kamp handling scripting duties. Spy film was officially announced in 2011. It probably won’t be, but that could be cool.
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Interestingly, the comics are also wordless, which makes me wonder if this adaptation will be a silent film. They consist of the duo planting booby-traps and performing other violent gags, usually involving weapons. If you’re unfamiliar with the comics, they revolve around the titular spies as they try to one-up each other during various missions. It remains to be seen if Dwayne Johnson will star, but that wouldn’t be surprising as he’s Thurber’s go-to guy. Ron Howard and Brian Grazer are on board as producers, which makes sense as they’ve been attached to the project since its inception. However, that could all finally change, if new developments go according to plan.Īccording to Collider, Rawson Marshall Thurber is in talks to direct the movie for Warner Bros. In that time, the two identical birdlike espionage agents - Black Spy and White Spy - have also featured in video games and cartoons, but a live-action big-screen adaptation has continually eluded the warring duo. Spycomic strip has been a regular fixture in Mad magazine for almost sixty years.